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Optimization Note

On the bots

I realized that instrumentation and monitoring of a basic sort is pretty trivial these days, so I told the bots to monitor Ftrain.com. I've received a few automated midnight emails since then, telling me about servers that were down (but later came back up). I asked it to investigate and it found slow queries plus bots running in parallel, causing everything to screech to a halt and eat up all my memory.

So I logged in and I asked it to fix the slow queries, and it did. I also need to remind it to import newsletters, podcasts, and Bluesky posts. I could automate that but I like doing it by hand for now, since I know a lot is broken. I'm still building out the archive, looking for bad imports. I don't want to automate anything broken.

But I wonder how long before I say: “Run the monitoring tool every five minutes. When a system goes down, check out the root cause, and fix it. Add tests. Inform me of what you change. If it costs more than 10 minutes of your time stop and alert me.”

And how much longer before I say, “Keep an eye on logs, look for slow spots or breakage, fix and optimize as necessary.”

I have extremely limited interest in automating my own writing in any way—although indexing, search, spell-checking, grammar fixes, etc., those all seem fine. It's not some high-minded principle. I just don't like the bargain. I'm happy to give up configuring a web server. That's not useful friction.

I was blocked writing an article for a big pub the other day and I tried voice transcription. It was useful in that it got me stating some ideas, putting them into the world, but then I couldn't read them. My eyes glazed over them like they were anti-thought. I just have to write by hand, slowly, or type quickly in a box.

My daughter just showed me her phone and I couldn’t figure out what I was seeing, so she explained that what you do now is create totally unique icons for all of your apps that represent your aesthetic, and arrange them into different home screens.
Four bundles of icons and images in beige, brown and gray, all bits of jewelry and NYC image plus random text and a disco ball. All in a tight grid. Most are app icons.

Loops

Not the most connected to my body. The piano is an attempt to remedy part of that. I'm trying to set up a working feedback loop: Fingers to keys; keys to sound; sound to ears; ears to brain; brain to fingers. Getting to anything like flow is very hard unless I'm going slow, slow. Pile up three notes on the staff and I come to a full halt. Not a lot of flow state in my life, by which I think people mean loops. It's very command and control in here. It doesn't work. The body tends to reject the brain after a while, out of resentment. Trying to orchestrate a self out of an assembly of fractious grumblers.

Earring

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This was my home station for eight years (now it's my post-piano-lesson station) and I never noticed the sign.

My shrink says: “I'm Armenian, I want you to have, we call this an earring.” Pulls her ear. “It's, What am I not seeing? What am I wrong about?”

That's the earring.

What am I wrong about? Too easy to say, Everything.

I Will Never Listen to Geese

I have never heard Geese. I keep seeing Geese content and people saying things about Geese. Many dads my age complain about how Geese are not good. I have decided to never hear Geese and to have no opinion on Geese. I will never listen to Geese. If they are on SNL I will simply solve that by continuing to never watch SNL. This is now a key component of my personality. I have written this.

Winter Break

I had just come back from Boston, which was fully frozen over and dingy with salt and grime. We had dinner. Let's go somewhere soon, I said. For winter break. It's February. It's been so cold, so icy. And it's late to do it but we could get a flight. We could go to Puerto Rico. Bad Bunny wants us to go. We could even go to Europe. It's too much money and flying but whatever. We don't go anywhere. We're a loving family. We have a housesitter. Let's go somewhere fun and interesting where we always wanted to go. And they spoke amongst themselves at the dinner table, and I listened as every place I wanted to visit was eliminated as too far, or too boring, or logistically difficult, until they came suddenly to a delicate consensus, and they chose...Boston.

Robot Reddit Wants Your Passwords

Is Moltbook—aka “Reddit for Robots”—merely a novelty, or does it contain bigger ideas about the future of tech? On this week’s podcast, Paul and Rich start by discussing the autonomous agents of OpenClaw before they move on to Moltbook, the social network where said agents can hang out. (No humans allowed!) How do these LLM developments fit into the broader history of the web, and what do they suggest about where AI might be headed?

Robot Reddit Wants Your Passwords

Is Moltbook—aka “Reddit for Robots”—merely a novelty, or does it contain bigger ideas about the future of tech? On this week’s podcast, Paul and Rich start by discussing the autonomous agents of OpenClaw before they move on to Moltbook, the social network where said agents can hang out. (No humans allowed!) How do these LLM developments fit into the broader history of the web, and what do they suggest about where AI might be headed?

Warp and Woof

A trip to see the breeds; digressions on breeding.
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There were many dogs at the Meet the Breeds event at the Javits Center, and an enormous crowd. You could not see the dogs, only clusters of human bodies in heavy coats around a booth, indicating where a dog might be. If you joined a cluster then, a few minutes later, you could press forward to be in the presence of a Bernese Mountain Dog, or a Ridgeback, or a Shiba Inu, and could lean in for a carefully supervised, permitted pet. Everyone was being very gentle, and the dogs abided us, even though it must be a lot for them. Many wagged their tails.

It was a strange experience. That’s why we went, on a day so cold we could hardly bear to leave the house. You have to take advantage of New York being ridiculous. Plus the Javits would be warm.

Outside the event, PETA had big ads up encouraging people not to buy pugs or other heavy breathing dogs who’ve had their snouts bred out. No one was protesting, though. Inside, the pugs were doing well enough. I guess they don’t know what they’re missing, snoutwise.

My first thought on entry, given how hard it was to see a dog, was Meet the Breeds indeed. Every kind of body and identity and heritage seemed to be in attendance. All of us at once. Then again this isn’t a modular synth meetup or a conversation on zoning; it’s dogs. So it was mobbed, which made it an amiable shitshow, in so many ways. (Dogs were frequently trotted to a relief area behind closed doors that I want to imagine as a garden of canine delights. But was probably a depressing plastic-sheeted poop area.)

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Waiting in a line to pet a purebred seemed a little much. It has elements of the king's touch curing your scrofula, and I am uncomfortable with the idea of breeding things. When people get excited by breeding, bad things follow. Look at England. Still, I am but a man, and I patted an Irish Setter’s rump. I reasoned that the dog was Irish, like me, and that we might share an understanding.

Speaking of, one of the odd things about the published and occasional correspondence of Queen Elizabeth was how often she mentioned breeding dogs and horses to her family, which I think connected to her own sense of breeeeeeeeeding. One comes to the conclusion that she saw herself as a horse. This was reflected in her demeanor. Also I don't think she had that much else going on.

I can't think of a more loaded word than breeding. Given that it encompasses sex, race, power, and so forth, we can't approach it directly, only from angles. (When they do it it's eugenics, but when we do it it's finding a soulmate who looks exactly like, but is absolutely not, your sibling.) The whole point of America is that we hold the individual above their breeding. Sadly we have exchanged that for a primitive and lazy concept of genetic purity. I know people like to talk about capitalism or democracy but those are downstream of the actual function of this country, which is to find someway to balance medieval European tribalism with the concept of citizenship. Everyone has to participate for their entire life in this and we can never move on. Right now we are in a regressive phase, which is how we ended up with this bunch of insane Celtic-Teutons in charge, all of them ready to cut off their anglo snouts to spite their piggy faces. Anyway I saw a St. Bernard.

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Meanwhile, the crowd kept exceeding my expectations. Folks seemed unified by gentleness and curiosity. Even though tickets cost $40 (kids cheaper), people understood that petting is a privilege, not a right. One dog barked three times, but that was all the drama. An hour into the experience I saw a woman, off to the side and away from everyone, sitting on the floor with a schipperke cradled in her bosom. Together, they looked like the Virgin and child.

She murmured for fifteen minutes to the dog, not looking up at all. I know it was this long because my son and I were waiting for my wife and daughter to come out of the oversubscribed bathroom. Eventually the dog was soothed and they went back to work the booth. That was beautiful.

Although maybe the dog should stay home? Dogs like to leave the house too, though. They get to see all their dog show friends. Maybe dogs get a kick out of it?

I saw a woman in a knit hat that said “CROISSANTS.”

The boundary between human and animal kept blurring as we wandered. I saw a chihuahua in a diaper. I saw a writhing pekingese in little sneakers. An agility course had been set up—but it was for small children, who were scrambling through tubing and stumbling over sawhorses without dignity or distinction. No one cared much what the humans looked like or thought. We weren't the main event.

Almost all of the dogs were very calm, obviously trained on the patting. Many dogs simply slept. The corgis were superstars, so while two were on show, four backups (or understudies?) were chilling in cages off to the side—big-eyed but calm, away from the press of bodies—until they were summoned to adoration. I'm sure the Queen, who loved corgis, would have liked having a Regina Chillout Cage when she got overwhelmed when people came out to admire her breeding. Maybe that's what palaces are. Maybe we should crate our royalty.

It was time to go. I get why people do this, but I'll never do this again. It's too ambiguous. But it's always fun to see what a society gets up to with its spare time. Later that night I'd watch the Super Bowl, and have the same reaction.

As we went to leave I looked up at the great glass ceiling of the convention center and thought about how the Hillary Clinton campaign had gathered right here, at the very end, anticipating victory. There had been tons of foam pieces—made to look like pieces of broken glass—hanging above, from nets. They had intended to drop those as the election was called, to prove that the glass ceiling had been broken. The crowd waited and milled around. Hope frayed. After a long, agonizing while someone came out—Podesta maybe?—and sent everyone home. Fight Song went unplayed, and the foam never fell. I wondered, looking up, what they did with all of it? Maybe some garbage bags full were sent to the Smithsonian. It occurred to me, in a regretful thought, that it might be very handy in the dog relief area.

It was time to stop thinking. I was glad to see that you can gather many thousands of people in a big room, on a very cold day, on the edge of a city, and that throng could keep it together enough to treat dogs kindly. That is very good. I prefer mutts.

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New Friends

From a new museum.
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From Masako Miki's exhibition at MassArt Art Museum, “an experiential world populated by semi-abstracted felted wool sculptures set within a galaxy. Referencing nature, Japanese yōkai (supernatural beings), and Shintoism, Miki creates new mythologies that reflect the complexity of multicultural identities and worlds.”

I went to a tiny conference of librarians and technologists, people trying to create new infrastructure with few resources, as old infrastructure is being gleefully destroyed by monsters. What used to have billions in funding is now demolished and without benefactors. No one is sure what comes next.

It was Chatham House Rules so all I'll say is that, because I like to write about the way technology touches culture, I have repeatedly found in my life a small, diligent cluster of humans who take it as their mission to preserve the digital moment for the future. There aren't many. They are not in it for the money. I honor them and hold them in the highest regard.

We often talk about what history will make of us. What history will say—because this is actually what history says today—is, God bless the archivists who put this aside, who thought the fragile was worth saving, because otherwise we could not know what we truly were.

When the conference was done I took the 77 bus to Porter and got the Purple Line. I didn't have a ticket and I wasn't totally sure where I was going. The conductor got to me.

“It starts with a W,” I said.

“A lot of things start with a W,” she said.

She was, I saw, beautiful, and all I could wonder was: How many Boston men she has thrown off moving trains? Nowhere near enough. She helped me figure out I meant Waltham.

Farewell conductress. In Waltham is a synth store. Not just any: Much of what they sell is unsoldered—just bags of parts.

Go to a place. Look at a thing.

I'm not sure life requires much more.

This store was a 15 minute walk from the train, but more like 30 when impeded by enormous drifts of snow. My hobby is obscure and tends to mail order, so stores are often way out of the way, halfway between mail-order warehouses and retail. I nearly bailed but it's very, very important, when you can, to go to a place and look at a thing.

When I walked in a man with a Boston accent as strong as getting a thermos of Dunkin Donuts coffee thrown at your head at Fenway Park said, “I don't know where they ah. I don't know anything about this stuff.”

That's okay. I wandered around in a daze, also taking a work call and bought some 2-OP FM synths so that I can...god knows why I do anything. I do not know what animates me any more. Then Lyft to the museum, the work call finishing in the car, talking about delivering an AI platform while, outside, we were running through countless small towns, past infinite mills-now-lofts, until finally we got back to Boston.

The museum was founded by a good friend's wife. It's mostly operated by the students. There was a piece on the first floor that shocked me a little: It was called Fragile Vessels by Maren Hassinger. It was two very spare, large lithographed outlines of large vases, on silk, and when I walked by it moved, like curtains in a breeze. I would welcome seeing it every day for the rest of my life. I think when someone can create something that is almost nothing but then it connects to almost everything—then they have given you a tool for living the rest of your life. You can organize your thoughts around two spare vessels on organza silk.

A large group drifted away as I was coming in, and as it was a quiet Friday afternoon on a school day, I had the whole upstairs to myself. There were 20 animated felt creatures in a field of stars. Each one a mix of adorable and terrifying. I wanted to touch the animistic spirits so badly. I wanted to ride the Million Year Old Horse (2024) back to New York. Even more form—form so abstract that you can see the root shape of culture. All these creatures in conversation and communion, labored over for thousands of hours. The labor, the felting, is part of it; without it, it would be just more slop. We need our artists to get bored and push through. Then we know we should listen. That is what turns large soft shapes into a communications technology.

Maybe we should be grateful to AI for showing us why we need humans to make art.

Obviously I am craving something simple, something that is two lines on one piece of paper, or an abstract floofy horse taller than I am. I am craving form with as little content as possible. Something that just shows the shape of things.

At the same time I personally am pouring out thousands of words a week across my various portfolios. I don't know why. If this ends in poetry I will be very annoyed.

A stray thought came into my head as I waited for the Green Line: If you're going to talk about how the world is ending, do it at a museum.

And then to the Red Line, and then to Amtrak, and then, many hours later, to the yellow Q train, and then dragging the suitcase thought a little more snow, and then home to flop on the floor.

Numbers, Faces

So I’m in Cambridge, Mass., where the first words I heard getting out of the Amtrak station in Boston were “Abolish ICE and save America!” I kept walking in my travel fog and then 40 feet later I turned back gave a thumbs up which no one saw.

I have a New Yorker’s normal disdain of Boston but we didn’t have protesters outside of Penn Station, and Boston handles snow better than New York. So right now I have to give Mass. the advantage. Gives me no pleasure, etc.

Then Cambridge. As I got on and off the Red Line everything feels very familiar. There’s a certain kind of face that is here in abundance—far greater abundance than in NYC—and every time I see it I think, “math face.”

I can’t fully nail it down. It’s a slender, clean face with a particular jawline and wide eyes. You either have it or not. I don’t. It’s not programmer or finance or actuarial. It’s math face. Women have it, men have it, trans people have it, people from everywhere in the world have it. There’s a lot of it here. If I showed you, you'd probably lecture me for a half hour about not putting people into categories, and then you'd go, Yeah, okay. Math face.

In the same way, I can tell a writer on the train. I can’t explain how. There aren’t as many as there used to be. But there’s a sort of essential sallowness coupled with a lack of presence. Words are inherently unhealthy. You shouldn’t, if at all possible.

I've seen so many writers try to escape writer self over the years. They lift weights and work hard for amazing forearms. They climb mountains. They pivot to video. They leave their families. They even schedule haircuts. Never matters. They have the stain.

Many years ago, my dad came up for my college graduation. He had retired a while ago but had taught creative writing at a state college for decades. We were in his car, parked outside the dorm.

My friend and her father walked in front of us. Normal-looking guy with a beard. I'd never seen him before, but I knew my friend's father was a poet who taught poetry at a college in New Jersey.

My father didn't know that, though. Didn't know the girl, either. Looking straight ahead out the windshield, he said, “Look at that fucking English professor.”

I wonder how we end up looking like our work, or if our careers descend upon us like invisible bats. My, says the bat of writing, ultrasonically, that one likes to sit a lot, and he seems sad. Let's give him something to type with his fingers. The bat of being good at piano and/or sex flies right by going, All yours, buddy. And that is how the avocation bats impose our destinies.

I was out with a friend of mine once 20 years ago and a person in line at the coffee shop turned to him and said, correctly, “You’re a Java programmer.”

It was the “Java” that broke his heart.

I have no idea if all the math faces I see actually are doing math (they are). I’m just noting the confidence with which a brain makes entirely arbitrary distinctions based on very limited information. I don’t even look at faces in NYC. I look at my phone. When I am somewhere else, away from home, my pattern matcher goes into overdrive and the weirdest patterns pop up.

I'm sure this is, somehow, a problem.

Morning Argument

I'm out of town but the news is that my son saw a single skipped filament error in my wife's 3D printing experiment, and his jabs about it didn't land well, given that he'd spent all that time on Reels. I cannot wait to reread this in 30 years.

Lesson, 2026-02-03

Gotta remember to Venmo.

Working on simple stuff: Minuets in G major and G minor, from the Anna Magdalen notebook (bum, dum dum dum dum, bum bum bum), memorized at 50-60BPM—in the Bach book but actually Christian Petzold. And Oscar Peterson Minuet 3, also memorized, and Tune-Up by Miles Davis (it's not actually by him; I can't remember who). Some of this is going back to basics by mutual agreement—much of my study involves single, circled words pencilled at the top of the page.

TEMPO

THUMB

I play about as well as a talented seven year old. You could say that I am improving but it doesn't really register like that. It is more like,

  • I am no longer shocked by how bad I am.

  • I am aware of what happened when I was supposed to land on the E with third finger.

  • I am not good at the contract, expand chord motion on the right hand.

  • I have trouble with the intervals in the walking bass in my left hand.

I get so jealous of my teacher. I go over there, trudging through the snow, and take off my shoes, and he's already at work. His work is piano. He's my age. He's probably taught 25,000–30,000 lessons. Each one has a little narrative. First we do Hanon. He's very professional and we chat amiably about kids and schools in the neighborhood but there's no expectation aside from that I will attend, and Venmo.

He takes my intent seriously though. After a lifetime of putting on a business show, selling the sizzle, doing my interdisciplinary jazz hands, it has taken me a long time to accept that progress will be only incremental, and not just incremental but fractional, not just fractional but a derivative, we are calculating a slope here. And it can't be sped up. You can't make a half-century-old brain into an ambidextrous sight-reader. In about five years I will probably be able to play a little Chopin or some nice pop tunes without spaghetti fingers spilling all over the keyboard.

I'm about to go into work and discuss how we'll market the platform once some of the integration tasks are complete. What are you doing today, I ask? Friends are coming over to rehearse tango, he says. His apartment is warm and filled with sheet music and books and a baby grand stacked with manuscripts. He composes.

I know I did not waste my life, those meetings were important.

It's not like I could play piano anyway.

So. Today was pretty good. We're about to put some Bach to bed. I have a plan for the week. We've adjusted goals a little bit, to get the fundamentals shored up. You have to decide whether you're humiliated or not. Most of the time I decide that I am.

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