.

 

Time

The fourth dimension of place.

1
Notes from a Motorcycle Film
Which I watched on the bus.
Monday, December 9, 2002
2
A wire back through time
A narrator is called by himself, 40 years from now.
Friday, March 8, 2002
3
Darwin on his Deathbed
The words were lost; he speaks to an unknown secretary.
Friday, March 8, 2002
4
The Payoff
A word on astronomy.
Tuesday, May 6, 2003
5
Until the Water Boils
...something you do with cloth and paper.
Wednesday, May 7, 2003
6
The Mechanical End
Calling it a day in the information age.
Thursday, May 15, 2003
7
Opportunities to Learn
There will be a test on this, later.
Wednesday, May 7, 2003
8
Looking at the Numbers
With a needle and thread in my hand.
Wednesday, October 30, 2002
9
5 Days with No Human Contact
A variation on the vertical theme.
Monday, March 4, 2002
10
Social Place
Stories of one's place in the wider world of human behavior.
Sunday, March 3, 2002
2 sections.
11
City of Tomorrow
By Rebecca Dravos
All those buildings. A photo illustration done at work.
Friday, April 18, 2003


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About the author: I've been running this website from 1997. For a living I write stories and essays, program computers, edit things, and help people launch online publications. (LinkedIn). I wrote a novel. I was an editor at Harper's Magazine for five years; then I was a Contributing Editor; now I am a free agent. I was also on NPR's All Things Considered for a while. I still write for The Morning News, and some other places.

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© 1974-2011 Paul Ford

Recent

@20, by Paul Ford. Not any kind of eulogy, thanks. And no header image, either. (October 15)

Recent Offsite Work: Code and Prose. As a hobby I write. (January 14)

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Why I Am Leaving the People of the Red Valley. (April 7)

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0h30m w/Photoshop, by Paul Ford. It's immediately clear to me now that I'm writing again that I need to come up with some new forms in order to have fun here—so that I can get a rhythm and know what I'm doing. One thing that works for me are time limits; pencils up, pencils down. So: Fridays, write for 30 minutes; edit for 20 minutes max; and go whip up some images if necessary, like the big crappy hand below that's all meaningful and evocative because it's retro and zoomed-in. Post it, and leave it alone. Can I do that every Friday? Yes! Will I? Maybe! But I crave that simple continuity. For today, for absolutely no reason other than that it came unbidden into my brain, the subject will be Photoshop. (Do we have a process? We have a process. It is 11:39 and...) (May 13)

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