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Originally from
1990
The Peach Boy
I bring my GI Orient and Paul, 4,
his dubbed cartoon of Saturday morn-
ing monsters in outer space yet
he hasn't much to lose as I
exclude Sigmund's and Carl's
inner-space hardware store cause
the
play opens with the father
discovering this great peach in a stream,
and
once home the old couple uncover
a baby inside as samisens bridge
my life
in sound back to a small dim room of a
Tokyo club where a guy picks a tune from this white
baby grand and I'm in raw company
alone then, with my girl better and worse
I'm tearing at a steak and throwing back Nip-
pon beer. Cocksure, but she's hushing me now,
because the guy composes, the pale
lid floating inclined on his smoky progressions
in my sliding mind
the Peach Boy has grown
up, is prowling the audience when from his
silk, peach light widens over little Paul
beautifully glow meets glow. Where's the
dragon? he asks just so we're all peach
children, grand babies born to save
the world, rope the ogres round.
Now the Peach Boy's finally up to that onstage.
The witch knifing in she's run through
for her trouble. It has to be to move us to
a place
where a far dark house and tree
press moon and clouds between.
Water spreads to us from there.
In the muted air and soft-lit spill
are all of my selves still
with Paul's. We name all we see
and think eternally,
a lake.