.

 

Taking the Edge Off

Things we love that do not love us back.

A cigarette is inhaled

New York—my New York, at least—is a place where addictions are accepted with a shrug. You can say, to friends and coworkers, that your relationship with drugs, with cigarettes, with food, or with alcohol is more important to you than relationships with people or God. And usually they will understand, laugh, and commiserate.

Below this acceptance is a conceit: that, by pursuing your relationship with whatever thing you love the most, you feed some empty hole in your soul. That you are so unique in your suffering that you need this compensation. Bullshit. There are plenty of people with great sadnesses in their life, and they map them carefully and steer around them, paddling on.

For me, it's the nightly pack of Marlboros, the package a white hankerchief on a red background, monogrammed in gold with two upright horses below a crown. For Paul it's things starchy, with salt and sugar. For our mutual friend Arden, who lives two doors down from Paul, it is booze, alcohol in all its configurations, from cold, sweet beer to neat scotch. We are not in denial about our addictions. We acknowledge that we are in their thrall; we acknowledge the pain they will cause us later in life, if we do not stop them now, as we edge towards, or in my case, beyond 30, when the body's magical ability to smooth and regenerate itself ceases. Even knowing this, we refuse to admit that life could continue without these pleasures. That's the real denial. It's easy to admit a problem; but life without these immediate, accessible comforts, life where you crave something but cannot have it—

It's terrifying to contemplate. I put it off, waiting for the doctor to issue an ultimatum, for some crisis to give me an excuse to throw my lighter from the window of a bus.

Sometimes we step out together to partake in mutual compulsion, drinking three or four beers at Sparky's or Bar Bar, then crossing the street for pizza, my pack of Marlboros emptying a little more at each step of the journey as I work through them, as my two friends cadge from me. Paul and Arden derive fresh pleasure from inhaling. For me it's not pleasure, but a moment of clarity and release, something stable and trustworthy, in opposition to wide, unbounded life. From the pizza we go to another bar to finish the night.

We like the weaknesses in each other. We have each quit, gone dry, dieted—then been called, alone, late at night, to the bodega, knowing self-betrayal in every step. Supplicants, anticipating release as we slide the money—money that could feed the poor, or be invested (who fucking cares!)—across the counter, thanking the Yemeni (PAL Supermarket), Korean (Frank's), or Palestinian (Apple Tree) vendor for their roles as the minimum-wage priests of the cash register, for selling us the balm for our sleepless woes.

There are terms to quantify these friendships: co-dependency, enabling. But we are also just friends, with no desire to pull out the rug from under one another, protecting each other from too much truth about the corpulence, the whisky-puffed face, the raw throat and steady coughing. Once that rug goes, who can catch you? Not me; I can't catch anyone. I'm stumbling myself.


[Top]

Ftrain.com

PEEK

Ftrain.com is the website of Paul Ford and his pseudonyms. It is showing its age. I'm rewriting the code but it's taking some time.

FACEBOOK

There is a Facebook group.

TWITTER

You will regret following me on Twitter here.

EMAIL

Enter your email address:

A TinyLetter Email Newsletter

About the author: I've been running this website from 1997. For a living I write stories and essays, program computers, edit things, and help people launch online publications. (LinkedIn). I wrote a novel. I was an editor at Harper's Magazine for five years; then I was a Contributing Editor; now I am a free agent. I was also on NPR's All Things Considered for a while. I still write for The Morning News, and some other places.

If you have any questions for me, I am very accessible by email. You can email me at ford@ftrain.com and ask me things and I will try to answer. Especially if you want to clarify something or write something critical. I am glad to clarify things so that you can disagree more effectively.

POKE


Syndicate: RSS1.0, RSS2.0
Links: RSS1.0, RSS2.0

Contact

© 1974-2011 Paul Ford

Recent

@20, by Paul Ford. Not any kind of eulogy, thanks. And no header image, either. (October 15)

Recent Offsite Work: Code and Prose. As a hobby I write. (January 14)

Rotary Dial. (August 21)

10 Timeframes. (June 20)

Facebook and Instagram: When Your Favorite App Sells Out. (April 10)

Why I Am Leaving the People of the Red Valley. (April 7)

Welcome to the Company. (September 21)

“Facebook and the Epiphanator: An End to Endings?”. Forgot to tell you about this. (July 20)

“The Age of Mechanical Reproduction”. An essay for TheMorningNews.org. (July 11)

Woods+. People call me a lot and say: What is this new thing? You're a nerd. Explain it immediately. (July 10)

Reading Tonight. Reading! (May 25)

Recorded Entertainment #2, by Paul Ford. (May 18)

Recorded Entertainment #1, by Paul Ford. (May 17)

Nanolaw with Daughter. Why privacy mattered. (May 16)

0h30m w/Photoshop, by Paul Ford. It's immediately clear to me now that I'm writing again that I need to come up with some new forms in order to have fun here—so that I can get a rhythm and know what I'm doing. One thing that works for me are time limits; pencils up, pencils down. So: Fridays, write for 30 minutes; edit for 20 minutes max; and go whip up some images if necessary, like the big crappy hand below that's all meaningful and evocative because it's retro and zoomed-in. Post it, and leave it alone. Can I do that every Friday? Yes! Will I? Maybe! But I crave that simple continuity. For today, for absolutely no reason other than that it came unbidden into my brain, the subject will be Photoshop. (Do we have a process? We have a process. It is 11:39 and...) (May 13)

That Shaggy Feeling. Soon, orphans. (May 12)

Antilunchism, by Paul Ford. Snack trams. (May 11)

Tickler File Forever, by Paul Ford. I'll have no one to blame but future me. (May 10)

Time's Inverted Index, by Paul Ford. (1) When robots write history we can get in trouble with our past selves. (2) Search-generated, "false" chrestomathies and the historical fallacy. (May 9)

Bantha Tracks. (May 5)

More...
Tables of Contents